The Kazakhstan Pavilion is highly interactive and perfectly designed. BeWunder handled a few of the challenges related to AVL scope, namely, high design demand on light scenes and planning. It required working with contrasting mounting positions for different types of lighting fixtures.
Moreover, in the last zone of “Unlimited Space”, it was very tricky to create a show between the artist and the robotic arm, to have an impression of an AR interaction between the two. Projections, light and video programming, audio and robotic arm programming all had to work in perfect unison without any delays or errors.
Since the demand was extremely high due to the large AVL scope it was important to increase the number of specialists rather than the number of working hours. Therefore, to successfully deliver the work BeWunder had allocated a large team for this project, which accomplished the task effectively and on time.
To achieve a desired goal in the “Unlimited Space”, our team spent two weeks of pre-programming movements with light and 4 weeks of rehearsal with a dancer. All aspects were synchronized on the curved 270-degree projection.
Photos: Andreas Keller
